I once fancied myself a book collector, and I do have a few books of good value; you know the kind of thing, The Hawk in the Rain by Ted Hughes (Harper and Brothers, 1956), and once I thought I had a lot of interesting books, several bookcases full, though nothing all in one room that the word library suggests. Gradually, over time, I was also collecting bookcases, and bookends. Books took up the walls in most rooms. The hallway was tight. A certain scent of paper met me when I came home – not all the books were acid-free.
And then I had to move. To a smaller place. I had no alternative but to purge. For a while I was a little crazed because I had to change into someone who was no longer a collector but a purger. I hadn’t expected the upheaval; I’d had my nose in a book.
I had to have a plan because time was tight, the end of the month wasn’t going to arrive any slower just because I wanted it to.
How to decide? A wise friend told me to keep the poetry, that they were the tools of my trade, and I did, all those slim volumes, some oddly shaped, others frail from the 60s. I kept anything signed, almost all travel and history. I kept what I thought of as “special,” a category so broad it threatened to wreck the system. Many hardcover novels departed, except some first editions I liked. I found myself more ruthless than I imagined possible. If the book was likely still in the local library, I ditched it. In the last days my judgment was skewed, rushed, at least as seen from the point of view of the first book taken down and boxed, back when I was in sentimental fond farewell mode, giving each book its due.
I sent 35 liquor-store boxes out the door. A friend hauled many away in his overloaded Volkswagen. A bunch went to a book sale for a literary magazine. A fine first edition hardcover of W. G. Sebald’s Austerlitz was foisted onto a friend who happened by and was glad to bear it away. Another friend took Ursula Le Guin’s The Left Hand of Darkness. I left as many books as I could at those birdhouse-shaped community libraries: give one, take one. It was all give.
I settled in. And then I moved a second time! (Has anyone read a recent novel about a lunatic landlady?) I took bags to the used bookstore, friends took some away. I was gaining skills: this time I was even more selective. But the poetry came with me wholesale still.
It dawned on me that, anyway, I was really more of a reader than a collector. I like books, sure, the pure compact heft of them, their ink and promise. But it’s reading that holds me to them, to their words and worlds. I keep those I feel I must, and I welcome any that come my way, because my friends know that I read, and so they pass books on to me, to do with what I will, read or keep or pass further along. And I’ve learned to enjoy how they flow in and out of my hands, as well as the hands of others.
Gallery
How-to-Cite
MLA
Zieroth, David. “Personal and Birdhouse Libraries.” Shelf Portraits, 29 June, 2021, richlerlibrary.ca//shelf-portraits/personal-and-birdhouse-libraries. Accessed 20 May, 2025.
APA
Zieroth, David. (2021, June 29). Personal and Birdhouse Libraries. Shelf Portraits. https://richlerlibrary.ca//shelf-portraits/personal-and-birdhouse-libraries
Chicago
Zieroth, D. “Personal and Birdhouse Libraries.” Shelf Portraits, 29 June, 2021, https://richlerlibrary.ca//shelf-portraits/personal-and-birdhouse-libraries.
David Zieroth
David Zieroth has published several books of poetry as well as fiction and memoir. His most recent poetry collection is the bridge from day to night (Harbour Publishing) in 2018. McGill-Queen’s University Press will publish watching for life next month, and Harbour will publish the trick of staying and leaving next spring (2023). Both are poetry books. Zieroth’s awards include The Dorothy Livesay Prize and the Governor-General’s Literary Award for Poetry. He runs The Alfred Gustav Press for publishing poetry chapbooks each summer and winter.